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Saturday, May 28, 2011

The Routledge Creative Writing Coursebook Summary


The Routledge Creative Writing Coursebook Summary:
Publisher: Routledge | Number Of Pages: 242 | Publication Date: 2006-02-10 | ISBN-10: 0415317851 | PDF | 1 Mb

This step-by-step, practical guide to the process of creative writing provides readers with a comprehensive course in its art and skill. With genre-based chapters, such as life writing, novels and short stories, poetry, and screenwriting, it is an indispensable guide to writing successfully.
The Routledge Creative Writing Coursebook:

Sue Grafton, "Writing Mysteries"


Sue Grafton, "Writing Mysteries" 
Writers Digest Books | 2002 | ISBN: 1582971021, 1582971455 | 256 pages | PDF | 1,9 MB

Writing mystery fiction can be a special kind of puzzle. In this new, revised edition of the Mystery Writers of America classic, Sue Grafton weaves the experience of today's top mystery authors into a comprehensive mystery writing "how-to." Writers will learn how to piece a perfect mystery together and create realistic stories that are taut, immediate and fraught with tension.

Mark Bowden, Otto Penzler, Thomas H. Cook - The Best American Crime Writing 2006 Summary


Mark Bowden, Otto Penzler, Thomas H. Cook - The Best American Crime Writing 2006 Summary:
Publisher: Harper Perennial | 006-09-01 | ISBN: 0060815523 | PDF | 352 pages | 1.05 MB

A sterling collection of the year's most shocking, compelling, and gripping writing about real-life crime, the 2006 edition of The Best American Crime Writing offers fascinating vicarious journeys into a world of felons and their felonious acts. This thrilling compendium includes:

Friday, May 27, 2011

Writing Your Screenplay


Writing Your Screenplay
Publisher: Lisa Dethridge (Allen & Unwin) | 2004-04-01ISBN: 1741140838 | PDF | 272 pages | 1.5 MB

This guide to film writing is an ideal introduction to the craft for would-be screen scribes or film buffs who want to learn how it is done. A broad introduction to writing for the screen is provided, along with a structured system for creating strong screenplays, based on the author’s successful online college course. This book goes beyond the typical formulaic approach, offering insights into the classic mythic structures as well as contemporary storytelling techniques that underlie good screenwriting.

The Art of Plotting: Add Emotion, Suspense, and Depth to Your Screenplay



The Art of Plotting: Add Emotion, Suspense, and Depth to Your Screenplay
Publisher: Lone Eagle | ISBN: 1580650708 | edition 2007 | EPUB + MOBI | 2.3 MB

Plot must be as much about the emotions of the characters as it is about the events of the story. That’s the message of The Art of Plotting, which teaches screenwriters how to integrate plot, characterization, and exposition to make stories compelling. Using examples from recent and classic movies, author Linda J. Cowgill demonstrates how the plot springs naturally from the characters—and how that technique makes audiences connect with the story on a more intimate level. Easy exercises reveal common plot problems and help writers overcome them.


Film Directing Fundamentals, See Your Film Before Shooting


Film Directing Fundamentals, See Your Film Before Shooting
Publisher: Focal Press | ISBN: 0240809408 | edition 2008 | PDF | 336 pages | 12,0 mb

Film Directing Fundamentals gives the novice director an organic methodology for realizing on the screen the full dramatic possibility of a screenplay. Unique among directing books, this book provides clear-cut ways to translate a script to the screen. Using the script as a blueprint, the reader is led through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology.

The Anatomy of Story: 22 Steps to Becoming a Master Storyteller


The Anatomy of Story: 22 Steps to Becoming a Master Storyteller 
Publisher: Faber & Faber; 1st edition (October 14, 2008) | Language: English | ISBN-10: 0865479933 | EPUB + MOBI | 464 pages | 3 mb + 3.2 mb

Teacher and screenplay doctor Truby (responsible for popular screenwriting software Blockbuster) brings his complicated but time-tested story development system to print for the first time, a 22-point process that's more thorough-"an extremely precise map of your entire plot" that "shows you the most dramatic way to tell your story"-but also more unwieldy than the traditional "three-act" technique. For example, the first seven steps Truby introduces apply to structure: develop "weakness and need" and "desire" in your hero, give him an "opponent" and a "plan" for overcoming that opponent, then throw in a "battle" that leads to "self-revelation" and, finally, a "new equilibrium."

Tom Pope, "Good Scripts, Bad Scripts: Learning the Craft of Screenwriting Through 25 of the Best and Worst Films in History"


Tom Pope, "Good Scripts, Bad Scripts: Learning the Craft of Screenwriting Through 25 of the Best and Worst Films in History"
Three Rivers Press | ISBN: 0609801198 | April 7, 1998 | 256 pages | PDF | 3.3MB

In this unique volume, respected screenwriter Thomas Pope offers an innovative and practical approach to teaching the craft of screenplay writing, in the process providing an engaging, behind-the-scenes look at the way the film industry really works. Each chapter deals with a different component of the art of screenwriting, from character development, to the nurturing of subplots, to the fundamentals of good dialogue, illustrating everything through the virtues or mistakes of a particular film.

Stephen F. Breimer Esq "The Screenwriter's Legal Guide"


Stephen F. Breimer Esq "The Screenwriter's Legal Guide"
Allworth Press | 2004-06-01 | ISBN : 158115352X | PDF | Pages: 336 | PDF | 8.7 MB

This authoritative guide will help both fledgling and established writers to negotiate the best deal, protect their work, and get fair compensation for it. One of the most powerful entertainment lawyers in Hollywood provides easy-to-understand, expert advice on all the legal issues involved in the business of screenwriting. He gives an enlightening explanation of the screenwriter's position in the industry and then provides a thorough discussion of contracts, options, and working with agents and lawyers. This book shows screenwriters what to give up as a lost cause and what to hold out for.

John Vorhaus, "The Comic Toolbox: How to Be Funny Even If You're Not"


John Vorhaus, "The Comic Toolbox: How to Be Funny Even If You're Not"
Silman-James Press | ISBN 1879505215 | 1st ed (July 1994) | PDF | 2.5 Mb | 191 pages

Excellent book for story tellers!
Breaks down all the elements of not just a comedy story, but for any story. Makes it easy to come up with an interesting dynamic between characters and the plot. If you are looking for something to help you be funny with friends, or to tell jokes, the concepts can still be applied, but you'd have to keep your friends there long enough for you to build up a funny story.

Lee Goldberg, William Rabkin, "Successful Television Writing"


Lee Goldberg, William Rabkin, "Successful Television Writing" 
W-ley | 2003 | ISBN: 0471431680 | 224 pages | PDF | 1 MB

The industry speaks out about SUCCESSFUL TELEVISION WRITING

"Where was this book when I was starting out? A fantastic, fun, informative guide to breaking into–and more importantly, staying in–the TV writing game from the guys who taught me how to play it."
–Terence Winter, Coexecutive Producer, The Sopranos

Animation Writing and Development


Animation Writing and Development 
Publisher: Focal Press (February 7, 2005) | ISBN-10: 0240805496 | PDF | 7 Mb | 360 pages

"Jean Ann Wright's new book is a well written, straightforward and practical approach to writing for animated features and television. With an eye on giving the writer an overview of the animation process as well as solid advice on preparing successful projects for the big and small screen, Jean's book will prove invaluable to those trying to break into the business as well as those who already have a track record."
-- Frank Gladstone, Head of Artistic Development/DreamWorks Animation

Guide to Writing Great Short Stories by Margaret Lucke


Guide to Writing Great Short Stories by Margaret Lucke
Publisher: Mg,H | 1998 | ISBN: 0070390770 | 144 pages | PDF | 11 MB

This guide to writing compelling, memorable short stories gives you all the essentials without wasted words. It tells you how and where to get ideas, how to establish and sustain excitement, how to create live, colorful characters, and how to plot, develop and bring home your story.

Writing Fiction, A Guide to Narrative Craft (3rd Edition)


Writing Fiction, A Guide to Narrative Craft (3rd Edition)
97 pages | 1992 | SBN: 0673521192 | PDF | 6.6 MB


This comprehensive, informal, practical guide/anthology approaches the elements of fiction from the writer's point of view. Writing Fiction includes freewriting to revision, addressing how writers must work through problems in plot, style, characterization, dialogue, atmosphere, imagery, and point of view to write exciting and fresh stories. The tone of this market-leading text is non-prescriptive and personal, helping students feel comfortable with themselves and their writing.


Writing Fantasy & Science Fiction (Writing Handbooks S.) By Lisa Tuttle


Writing Fantasy & Science Fiction (Writing Handbooks S.) By Lisa Tuttle

* Publisher: A&C Black
* Number Of Pages: 185
* Publication Date: 2005-05-31
* ISBN-10 / ASIN: 0713672447
* ISBN-13 / EAN: 9780713672442
* Binding: Paperback


Comedy Writing Workbook


Comedy Writing Workbook
Scarecrow Press | ISBN : 0887346472 | 1994 | 192 pages | PDF | 6.3 MB


The whole range of tricks for successful comedy writing is examined in this book. The author, one of Bob Hope's top writers, analyzes what he does to produce one-liners, anecdotes, monologues, formular jokes, cartoon captions and teaches the reader how to master the skill. --This text refers to an out of print or unavailable edition of this title.

Writing the Fiction Synopsis: A Step by Step Approach by Pam McCutcheon


Writing the Fiction Synopsis: A Step by Step Approach by Pam McCutcheon
Gryphon Books for Writers | 1998 | ISBN: 0965437116 | 184 pages | PDF | 40.79 Mb

Walk through the process of writing a synopsis of your book, from targeting your market, to adding tone, to tightening by choosing just the right words. Learn how to write the synopsis to develop your book's theme, determine what elements of plot and character should be included, choose which method to use to begin your synopsis, and format it properly.

Andrew Robinson - Writing and Script: A Very Short Introduction


Andrew Robinson - Writing and Script: A Very Short Introduction
Publisher: Oxford University Press, USA | 2009-09-21 | ISBN: 0199567786 | PDF | 144 pages | 5.61 MB


Writing is the defining marker of civilization, without which there could be no records, no history, no books, no accumulation of knowledge. But when did this essential part of our lives begin? Why do we all write differently and how did writing evolve into what we use today? All of these questions are answered in this Very Short Introduction. Andrew Robinson tells the fascinating story of the history of writing, shedding light on its development and examining the enormous variety of writing and scripts we use today. 

The Dramatic Writers Companion: Tools to Develop Characters, Cause Scenes, and Build Stories (Chicago Guides to Writing, Editing, and Publishing) By Will Dunne


The Dramatic Writers Companion: Tools to Develop Characters, Cause Scenes, and Build Stories 
(Chicago Guides to Writing, Editing, and Publishing) By Will Dunne
Unive rsity Of Chic ago Press 2009 | 352 Pages | ISBN: 0226172546 , 0226172538 | PDF | 1 MB

Moss Hart once said that you never really learn how to write a play; you only learn how to write this play. Crafted with that adage in mind, The Dramatic Writer’s Companion is designed to help writers explore their own ideas in order to develop the script in front of them. No ordinary guide to plotting, this handbook starts with the principle that character is key. “The character is not something added to the scene or to the story,” writes author Will Dunne. “Rather, the character is the scene. The character is the story.”

How to Write Great Screenplays: And Get Them into Production by Linda M. James


How to Write Great Screenplays: And Get Them into Production by Linda M. James

How To Books Ltd | 2009 | ISBN: 1845283074 | 190 pages | PDF | 11 MB


Have you got a great idea for a screenplay, but don't know how to write it visually? Then this book is for you. It will give you the vital information you need to know before you write your script; the vital techniques you need to learn when you're writing your script. But, more importantly, it will show you how to market your script after it's written. These three vitally important stages will make your script STAND OUT from the crowd.

James Carter, "Creating Writers, Revised and Updated Edition: A Creative Writing Manual for Key Stage 2 and Key Stage 3"


James Carter, "Creating Writers, Revised and Updated Edition: A Creative Writing Manual for Key Stage 2 and Key Stage 3" 
David Fulton | 2010 | ISBN: 041549902X, 0203867572 | 176 pages | PDF | 2,7 MB

Praise for the first edition of Creating Writers: 'I'm extremely imed by Creating Writers and I refer to it and recommend it during school visits and talks. It really explores its subject, and offers an important, beautifully researched and well-exed alternative to shallow, quick-fix approaches to creative writing.' - David Almond, Author of Skellig

Comedy Writing Secrets, 2 Ed: The Best-Selling Book on How to Think Funny, Write Funny, Act Funny, And Get Paid For It



Mel Helitzer, Mark Shatz, "Comedy Writing Secrets, 2 Ed: The Best-Selling Book on How to Think Funny, Write Funny, Act Funny, And Get Paid For It " 
Writer's Digest Books | 2005-10 | ISBN: 1582973571 | 342 pages | PDF | 1,5 MB

Updated and revised, this new edition of the best-selling favorite enables readers to master the fundamentals of humor writing and better understand the demands of the comedic market. Comedy Writing Secrets now includes:

Tuesday, May 24, 2011

The Silence Of The Lambs (1991) Screenplay by Ted Tally

The Silence Of The Lambs (1991)
Screenplay by Ted Tally
Based on the Novel by Thomas Harris


A young FBI cadet must confide in an incarcerated and manipulative killer to receive his help on catching another serial killer who skins his victims.

Syd Field's Screenwriting Workshop DVD: How to Write a Screenplay that Sells to Hollywood


Syd Field's Screenwriting Workshop DVD: How to Write a Screenplay that Sells to Hollywood

Master copywriters David Garfinkel and John Carlton and others praise the importance of learning to write dramatic pieces, to learn to write Hollywood-style stories. Syd Field's Screenwriting Workshop teaches how to work with dialog, build emotional needs and structure dramatic action that moves people. This is a process needed in writing emotional copy too.

Whether you are working on your first screenplay or are a seasoned professional looking for technical help from the master himself, Syd Field's Screenwriting Workshop is an invaluable writing tool that you will rely upon again and again. Available for the first time on video, this legendary course will help you convert your idea into a properly structured screenplay, one you will feel confident submitting to film studios and production companies worldwide.


The Tools of Screenwriting: A Writer's Guide to the Craft and Elements of a Screenplay By David Howard, Edward Mabley

The Tools of Screenwriting: A Writer's Guide to the Craft and Elements of a Screenplay
By David Howard, Edward Mabley
St. Martin's Griffin | January 15, 1995 | ISBN: 9780312119089 / 0312119089
English | 298 pages | HQ PDF | 4.4 MB | MU+FF


A comprehensive guide to writing screenplays by an experienced screenwriter and a respected writing teacher. Along with sections on the sreenwriter's craft, basic storytelling, and the parts and objectives of a screenplay, the book is distinguished by detailed analyses of sixteen successful films' screenplays, including the likes of E.T., Some Like It Hot, North by Northwest, Citizen Kane, and Annie Hall.

How to Sell Your Screenplay: The Real Rules of Film and Television By Carl Sautter

How to Sell Your Screenplay: The Real Rules of Film and Television By Carl Sautter
Publisher: New Chapter Press 1992-08-01 | 288 Pages | ISBN: 0942257243 | PDF | 13.8 MB


An Emmy Award nominee and former Moonlighting story editor gives smart, timely inside information on how to successfully market a film or TV screenplay in this handy guide.

Raindance Writers' Lab, Second Edition: Write + Sell the Hot Screenplay

Raindance Writers' Lab, Second Edition: Write + Sell the Hot Screenplay
Elliot Grove | ISBN: 0240520793 | PDF | 273 pages | English | 7 MB



'This is an invaluable manual for the first time screenwriter. A guide that takes in every aspect of the screenwriting process.' Ayub Kahn-Din, writer for East is East

'An authoritative guide full of wit and wisdom, through which Grove's personality shines.' Justin Bower, Total Film

Screenplay to “Kick-Ass”



It’s not “black cinema” specifically, but it’s one of the most anticipated fanboy/fangirl movie of the year – a group that I know some of you fall under. This film is scheduled for an April release which will be tomorrow!  Anyways I have the screenplay. (Download below)

Quentin Tarantino - Death Proof: A Screenplay

Quentin Tarantino - Death Proof: A Screenplay 
Publisher: Weinstein Books | ISBN: 1602860092 | 144 pages | 2007 | PDF | 7 mb


What a ride! Quentin Tarantino is back, and for real, too. Death Proof is an instant grabber, it puts you in a nasty shitty seat of some old around-the-corner movie house. There's popcorn all over the place, it smells like beer and there's a couple next to you making out. You paid five bucks to see this crappy movie you've never heard of but you'll get to see the other movie, too, that plays right after it. Tarantino takes his time to establish some of the greatest characters he's ever written: a bunch of chicks going out on a weekday night, talking about this and that, ending up in a shitty bar. 

William Baer, "Classic American Films: Conversations with the Screenwriters" Praeger (November 30, 2007) | English | 0313348987 | 296 pages | PDF | 1.51 MB

William Baer, "Classic American Films: Conversations with the Screenwriters"
Praeger (November 30, 2007) | English | 0313348987 | 296 pages | PDF | 1.51 MB


Classic American Films explores the origin and development of many of the most influential and revered films in cinema history, and does so with the aid and insight of the people who actually wrote the screenplays. These lively, candid, in-depth interviews are filled with fascinating new material (details, anecdotes, judgments, and opinions) about the creative and collaborative processes that went into the making of these extraordinary films. In the past, Hollywood screenwriters - the original artists - have often been overlooked. This book is a special tribute to the invaluable contributions of these cinematic visionaries, many of whom are considered among the greatest screenwriters in American film history. As Orson Welles once said, In my opinion, the writer should have the first and last word in filmmaking. This book allows them to have that exciting opportunity. 

"An Essential Handbook for Novelists, Playwrights and Screenwriters"

Michael Allen, "An Essential Handbook for Novelists, Playwrights and Screenwriters" 
Kingsfield Publications | 2003 | ISBN: 1903988055 | 256 pages | PDF | 1,1 MB

Writing can seriously damage your health - not to mention your relationships, your bank account and your career prospects. Here is a book that tells writers how to survive and prosper while struggling to make sense of the mad worlds of publishing, theatre, television and film. The early chapters help you to clarify your ideas about what you hope to achieve as a writer - money, fame or literary reputation; they also provide a realistic assessment of your chances of achieving those aims. Subsequent chapters provide a detailed explanation of how the modern publishing industry works, and explain the crucial role of emotion for writers of both fiction and drama. Later chapters offer practical advice on how to find the time and energy to pursue your writing career, and provide help on how to market your work in the digital age.

"A Poetics for Screenwriters : A Concise Review of the Screenwriter's Art"

Lance Lee, "A Poetics for Screenwriters : A Concise Review of the Screenwriter's Art"
University of Texas Press | 2001 | ISBN: 0292747195 | 160 pages |PDF | 1 MB